Zero Dark Thirty [Soundtrack]

Zero Dark Thirty [Soundtrack]

Zero Dark Thirty [Soundtrack]

As this score from Alexandre Desplat is neither bombastic nor feeble, the composer strings together one of 2012's best film scores. The London Symphony Orchestra hums together pieces that emphasize deep bass with a hint of string instruments that make way for unique pieces of music. Juxtaposition is stressed throughout the entire soundtrack as the overlying music creates a dark vibe until Desplat brings in the main musical theme of the score with a wide variety of instruments that makes the score unlike any other. This musical theme, fleshed out with string and harp sounds to an extent quite electronic, but knowing that it came to life through symphonic instruments is the true beauty of it.

Desplat introduces the electro theme, which exerts a Middle-Eastern vibe, yet not as flamboyant as Desplat's 'Argo' film score, in the first track 01. Drive to Embassy. The pounding bass sets the tone for the rest of the score and midway Desplat's theme is introduced. About halfway through the track, Desplat's main theme is introduced, and this theme is evident in about two-thirds of the soundtrack's listings. In my opinion, the composer's decision to exert this theme often makes for a coherent score that does not stray off path. No outliers that disrupt the mood are present and each track feels related in a sense to the other tracks. The string and harp instruments are also used to imprint a sense of resplendence and majesty. The pounding bass would be rather flat without those aspects. Thankfully, the end result is a magnificent and organized musical piece that ranks among Desplat's best work. Read more

Zero Dark Thirty [Soundtrack]